Jesse (Elle Fanning) moves to Los Angeles just after her 16th birthday to launch a career as a model. The head of her agency tells the innocent teen that she has the qualities to become a top star. Jesse soon faces the wrath of ruthless vixens who despise her fresh-faced beauty. On top of that, she must contend with a seedy motel manager and a creepy photographer. As Jesse starts to take the fashion world by storm, her personality changes in ways that could help her against her cutthroat rivals.
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High school wrestler Louden Swain (Matthew Modine) feels he must do something significant in his life shortly after turning 18. Despite vehement advice against it from his father (Ronny Cox) and coach (Charles Hallahan), Swain decides to try to lose over 20 pounds in a very short time in an attempt to take on the defending state champion of a lower weight class. Meanwhile, he falls for the edgy, older Carla (Linda Fiorentino), who provides further distraction for the young wrestler.
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Makoto Fukamachi (Junichi Okada) is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera’s past, Makoto Fukamachi meets legendary Alpinist Joji Habu (Hiroshi Abe). Joji Habu is isolated from other people because of his reckless and thoughtless personality
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Makoto Fukamachi (Junichi Okada) is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera’s past, Makoto Fukamachi meets legendary Alpinist Joji Habu (Hiroshi Abe). Joji Habu is isolated from other people because of his reckless and thoughtless personality
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Two outcast brothers get to know their biological family and discover the horrible truth about themselves and their relatives.
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Two outcast brothers get to know their biological family and discover the horrible truth about themselves and their relatives.
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Beatle is a quirky loner who refuses to live by society’s rules. Her business cards read “Towing/Assassination,” and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena’s crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he’s got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.
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Beatle is a quirky loner who refuses to live by society’s rules. Her business cards read “Towing/Assassination,” and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena’s crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he’s got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.
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